I skipped french class and wrote this instead. Pretty crap of me I know. Might as well use up all my absences though so that I don't start skipping when dude is teaching something I don't know - for now, I pretty much fill out the sheets in two minutes and wait and wait and wait until he takes them up. More importantly, to the point...
I saw Feist last night. Amazingly. Not 'the concert was amazing' (which it was - but I'll get into that later), but amazingly as in 'amazing that someone, anyone, was performing in Geneva in the first place'. It is quite difficult to find concerts in Geneva. Actually, that is not completely true. In the summer there are plenty of open air shows and various types of performances. There is also something of a classical music culture, or so I've been lead to believe by quite a few travel websites. However, to see a concert featuring a headlining act that is English speaking, and relatively well known - at least for the likes of me - is incredibly difficult if you are restricting yourself to finding such entertainment in Geneva. Granted, you could travel outside of Switzerland and take off a couple of work days to see shows in France or Germany - where, it seems, every band I could possibly want to see, is performing. Or you could hop a train and spend the night in the Zurich or Lausanne train station, and take a morning off work. But it all hardly seems worth it. The tickets to see Feist were 65 CHF as it was, and I can't imagine paying that plus a plane or train ticket. Furthermore, musicians take the weekends off, which means that if I were to travel outside Geneva, then I have to take a day or half day off - all for a concert...though, this does seem like something I would do, and provided the funds or correct timing, I probably will do it eventually.
Anyhow, I bought the tickets to see Feist quite awhile back. In fact I was so excited that she was coming to Geneva that I immediately charged 4 tickets to my credit card without having even confirmed with anyone - nay, even asked anyone - that they would join me. Luckily, I was able to find a multitude of people eager to attend the concert, and even when travel plans or illness interrupted one persons chance to see Feist, it was quite easy to find a replacement concert goer. And so I had in my grubby little hands, for over a month, tickets to see Feist live. And I and Gilberto Ena and Nadia (the aforementioned person inflicted with illness who had to find a replacement incredibly last minute) began trading songs and slowly building excitement until the day finally arrived.
The concert was held in a small theatre quite close to our Foyer. It didn't have second or third levels, and thus provided just the right amount of intimacy for the concert - though, Gilberto would disagree. Perhaps I felt that it was 'just intimate enough' because we had fantastic seats. We were 6 rows from the front, just at the beginning of the incline of seats, so that our eyes were pretty much perfectly parallel with the stage and no one's head was blocking us. We were close, but not so close that we were straining our necks to look up. The show began with a performance by Bob Wiseman - and I use the term 'performance' quite intentionally. Previous to the concert I had 'stolen' a concert poster that Steph found for me from the window of a shop. On the poster it advertised 'Premiere partie Bob Wiseman' - so, the day of, Gilberto and I checked out his myspace, cbcradio3 profile and website. I pretty much closed each window as soon as I opened it, as everytime one of his non-melodic harsh folk pop songs blasted into my eardrums I cringed and reacted the only way I knew how (apple + w). I questioned Feist's choice for an opener, and warned our fellow concert goers 'I don't know about this guy, I'd be happy missing him'. Well of course, Bob's music and artistry is taken completely out of context on the internet, and when he began his show with a short black and white film played off his mac book onto a screen while he provided the soundtrack on a synthesizer, I knew I was in for something different. The one man show was actually quite entertaining, combining quite a bit of humor with his pop folk and homemade videos. I nearly cried myself laughing during his songs about David Geffen and the girl who was dead inside (I am cringing now that I don't know or remember the correct names of these songs). His music was filled with Canadian references, and it honestly made me feel at home watching him. His set lasted about 40 minutes, and if I hadn't been holding a 65 swiss franc ticket with "feist" printed on it, I would have been quite happy to watch him for another 40.
After his set, and an intermission, Feist appeared on stage under very low lights. She began her set with "When I was A Young Girl" - which initially surprised me, as I anticipated her beginning with something more aggressive. An assumption that has probably been born out of the sudden, well deserved, success that Feist has been receiving (besides aren't all rockstars supposed to just ROCK OUT). She followed that song with two or three more slower ones (I have the set list on my cell phone, and will probably publish that once I charge my battery) before launching into a more up tempo song. She performed, in total 17 songs. And probably one of my favourite moments during the show was when she was alone on stage, just her and her acoustic, and she perfromed three songs sans her back up band. One song was a Sara Harmer cover, another a Kevin Drew cover. The middle song was one that she admitted to never having recorded before, written durring a cold winter in Berlin when, for a year, she broke no new ground, and only wore the color red. "Anti Pioneer" - the kind of song that concerts are made for. While you can undoubtedly find bootlegged, handy cam, cellphone recordings of this song, nothing beats hearing it live. And its so incredibly suiting that she never recorded it. She is up there with her mic, her guitar, and one of those echoing sound recorder devices (the internet is on computers now? - my music knowledge doesn't really expand beyond 'yeah that cd is good' and 'mp3's are the herpes of the internet'). She records her guitar, and sings - with that voice of hers - dark, raspy, folky...what the heck adjectives are there to describe it? never enough. and her lyrics and voice are enough to make you fall inlove with the song. And she plays her guitar - so that there is her recorded guitar playing, and her real time guitar playing. And then she starts recording her voice, layers upon layers of her singing the same line, layers of her just singing. And then she is singing with it. And then it stops. And she concludes the song wonderfully, and you're pretty sure you've just witnessed the coolest thing on earth (not because you haven't seen one of those echo-ey voice recorder play back thingamabobs before - but because she weilded it expertley. because you feel like you just watched them erect the arch d triumph. someone splashed paint all over a sheet of paper, and that someone was pollock. you get what im saying right? doesn't matter, this bracket is too long and my metaphors aren't working). She ended the concert, predictably with 1234 followed by mushaboom. Followed by an encore of sealion woman (her cover of Nina Simone's See Line Woman). And this is where I complain.
The Swiss audience blows. They are lame. And apparently, its a cultural thing (there was a discussion at tea break today about it, and others have witnessed the extreme suckiness of swiss audiences). And I wouldn't be surprised if their lameness is why no one tours to Geneva in the first place. During 1234 there was a space perfectly left open for the audience to sing along, however, that space was filled with dead air. I am, quite frankly, amazed at how well Feist carried her self and her performance despite the lack of enthusiasm from the audience. After her trumpeteer .. trumpeters...whatever, after his (dude who plays trumpet) solo, she went on with singing, stopped her self and apologized for interrupting the audience's applause for his solo - you know, the applause which wouldn't have existed if Feist hadn't reminded the audience to be polite. Mind you I wasn't applauding, I was writing down the song name into my cell phone...Anyways, while I could tell people were enjoying the show - smiles, bopping their heads - no one was really doing much to provide much energy or feedback back to the performers. Going to concerts for me, and having a good time at them, revolves around a) the performers on stage energy and presence, and b) the energy and atmosphere created by the crowd. Its why Caro and I get pissed when people STAND infront of us at shows - don't STAND there, move, dance, jump, clap, do SOMETHING. Its a give and take relationship, and I can't imagine how frustrating it would be to be up there giving it your all, sharing your music with people, to get nothing back. Its one thing when you would go to a show by The Organ and you expect them to stare at the wall and not talk to you and just sing their songs while everyone else kinda slowly sways to the songs - I mean, its the Organ, read a review for crying out loud! But its another thing when you to a show like this one and the audience is near comatose. The only time they got on their feet, they clapped like they enjoyed it, they danced, was during the FLIPPING ENCORE. Christ, Geneva, where was your enthusiasm for 1234, Past in Present, I Feel it All, Mushaboom? HOW MUCH PREP TIME DO YOU NEED? Granted, Sealion woman was phenomenal, and if the energy from the performers was just freaking booming off the stage, but half the other songs performed certainly deserved more than just loud 'whoos' at the end. Seriously, before Geneva, I had never been to a concert where the artist didn't say they were excited to be in 'such and such' city, or that 'such and such city' was their favourite place to tour, or that they loved 'such and such city's' crowd. Since being here, I've never heard it (I KNOW IVE ONLY BEEN TO ONE CONCERT, BUT THATS ALL RELATIVE) and I think I know why! Seriously, Geneva, if you're listening, then take my advice - give performers a reason to WANT to come perform. I know you're used to being all stiff at classical concerts, but learn to show your appreciate for music - especially when the musician is right in front of you. I mean, all you really have is the jet d'eau, and chocolate, and thats really not too much to entice people to come play music for you. They have to want to see your reaction. All through the concert - by the by - not just at the end. Not just during the encore. The whole way through!
Sigh.
The concert, to say the least was great. I very much enjoyed it, and it reminded me of home (minus the crap audience and the fact that I was able to buy really good tickets a month after being on sale)